Based upon my research I estimate the global component cost average is more close to $4 per square foot rather than the US average of $5 per square foot. If you take the entire world, the cost of thermofoil is also a bit lower globally as well. Partly because the manufacturers typically are larger in Asia and also in Europe on average. North America tends to have many more small shops as a whole. The primary reason is that the cabinetry produced for North America tends to have larger custom and semi custom markets whereas globally they use standard 32mm increments. This creates a scenario where larger producers thrive whereas the custom and semi custom cabinetry insulates the smaller producer in North America to some degree. This is important for the custom component producer. So in regions such as Asia or Europe they typically buy 3000 yard runs rather than by the single roll although this has been changing with the global market conditions.
Wednesday, December 1, 2010
Global Consumption of 3D Laminate Thermofoils
Based upon my research I estimate the global component cost average is more close to $4 per square foot rather than the US average of $5 per square foot. If you take the entire world, the cost of thermofoil is also a bit lower globally as well. Partly because the manufacturers typically are larger in Asia and also in Europe on average. North America tends to have many more small shops as a whole. The primary reason is that the cabinetry produced for North America tends to have larger custom and semi custom markets whereas globally they use standard 32mm increments. This creates a scenario where larger producers thrive whereas the custom and semi custom cabinetry insulates the smaller producer in North America to some degree. This is important for the custom component producer. So in regions such as Asia or Europe they typically buy 3000 yard runs rather than by the single roll although this has been changing with the global market conditions.
Monday, November 1, 2010
Understanding the Language of Color
Introduction
As a manufacturer of 3DL Doors or components you are probably used to seeing color matches of solids and woodgrains. On occasion you may have even had a manufacturer to color match some item for you.
In this article I will delve into the technical side as it relates to color matching and color control. I will explain more about why different sources of light affect the color and cause metamerism and I’ll mention a lot of interesting facts such as how the size of a sample can actually change your perception of the color.
Since most people selling doors, components or Kitchens utilizing 3D Laminate thermofoils are selling color I think that there may be new and interesting facts as it pertains to colors.
Appearance
There are three things that have the biggest impact in matching a 3D Laminate; the print, the texture and the gloss level. One interesting point is that under normal viewing conditions a sample with a higher gloss level will generally appear darker than a sample with a matte surface. This means that when matching colors it is critical to not only match the design but the gloss level needs to be similar. It also means that if you are working with two different products such as a melamine board and a 3D Laminate which has a different texture you will need to make some consideration in regards to how the different textures are contributing to the color.
When I visit a customer or when I am managing our sales staff I ask questions such as :
1. Who is the decision maker? Purchasing, Management or their client?
2. Does the decision maker have a window in their office and to which side is the window facing their desk?
3. Does the decision maker have flourscent lights or incandescent?
4. Does the decision maker hold the samples up in front of their face or look at them laying on their desk?
5. Does the client want ticking texture or a different texture than the target color?
The above questions are critical to being a good color matcher because all of these small things play into the quality of the match as I’ll describe below.
Texture
The surface texture will dramatically change the gloss level and affect the perceived color. An interesting pont is that the human eye is more critical of any color difference in a smooth texture than in a rough texture. So if a customer asks us for a smooth emboss on a solid color then it means that the accuracy will be more fragile. When matches are made to HPL (High Pressure Laminate) or TFM (Thermofused Melamine) typically there are various things that cause the materials to look differently. Firstly the process of impregnating papers with melamine resins can create a bit of a haze. Secondly the texture used on the press plates is often different that the embossing rollers used in a 3DL (3D Laminate). This affect is called metamerism. There are various definitions of metamerism however I feel the most accurate for our purpose is: “a metamerism occurs when the color standard and the submit do not match under all lighting conditions. This means that a solid color fabric when viewed under two different lights in a commercial light box, will appear to cast two different colors.”
Texture is the biggest refractor of light and this is the key source of metamerism. So the key point here is that the target match (paint, TFM, or HPL) typically is different than the surface texture of the 3DL so the match complication is dramatically increased. So for any manufacturer of steel, laminate, paint, carpet or whatever surface manufacturer, the difference in processes between manufacturers is a key complication in color matches.
Color – The Fundamentals
Since 3D Laminates are a plastic for you to better understand colorants it first requires basic knowledge of how color works for plastics. Color is not an absolute property as the perceived color of an object is dependent upon three elements. The elements are Illuminate, Observer and Object.
Illuminant
The illuminant used will affect the perceived color dramatically. Perception of color is unique as the human eye perceives colors differently under various light sources. The perceived color under a fluorescent light is different than that perceived under an incandescent light, and they will both be different to that perceived in daylight. Keep in mind that daylight is one of the most uncontrolled and variable sources of light, and will vary with time of day, weather, orientation, etc.
Observer
Perception of color requires an observer (either human or instrumental). What most people are unaware of is that every individual has a unique and different sensitivity to color that may be biased slightly towards a specific color. So they may be unaware that they believe a color is a good or poor match however the general population may in fact that it is a good match. This does not mean that they will always get it wrong but it can mean that as an individual you may perceive maples or yellow toned colors inaccurately however for cherries or solid whites your eye is highly accurate (based upon the populace). An interesting fact is that Men are approximately 16 times more likely to be color deficient than women. Approximately 8% of men and 0.5% of women have some degree of inherited color deficiency (200 million people worldwide). Red-green color deficiency is a hereditary disease, carried by the X chromosome of females. For this reason the daughter of a color deficient father can pass it to her sons. Women have two X-chromosomes and one defective X chromosome will be compensated for by the other non-defective. The chances of having two defective X-chromosomes are small.
Aside from men being 16 more times likely to be color blind, researchers have also found that there are in fact differences between men’s eyes and female’s eyses. As you may know humans have 3 different type of cone cells in our eye. Our eyes perceive color basically the opposite of a TV set. On a TV there are different color dots of red, green and blue. In the eye, con cells also have three different photo pigments that are generalized as red, green and blue but actually they are yellowish green, green and bluish violet.
What researchers have discovered was that over 50% of all women posess a fourth photo pigment that makes women more adept at detecting subtle spots of red light.
So in conclusion, women (on average) are superior at more accurately detecting colors.
Object
Most are unaware that the target or object may appear to be relatively constant but in actuality the color perception can vary within an object. So large areas of a color appear brighter than small areas of a color. If a target is a solid white HPL that is 2 square feet the absorption of light will affect the perception to make the sample appear lighter than if a 3” X 4” color sample is used. That is why factories who produce color maintain internally strict color matching procedures such as the size of samples they are evaluating. This is called (the area effect). The next time you show a client your color match try to present samples of the same size so the customer can more accurately perceive the colors.
Colors will actually appear duller when in front of a bright background than when in front of a dark background. This is called (the contrast effect)
The next is that colors will appear different when viewed from different angles or when illuminated from different angles. This is called (the directional effect).
So image when a sales person presents a color match to a client and the light source is above head whereas another client may have a lamp on his desk or be sitting by a window. Imagine how all of these can affect a client’s perception of the quality of match.
Measuring color
Color measurement can be carried out either by what is called a human colorist or by instrumental means. Using a human provides exceptional differentiation between colors but is limited in how this information can be transmitted to others and used as a control mechanism. Instruments sacrifice some color differentiation, but have the advantage in that they are reproducible every time. Instruments map onto a “color space” to provide the numbers or symbols for comparison and specification.
Hue
Hue is the basic color and is generally divided into a color wheel which ranges through 5 principals that include (red, yellow, green, blue, and purple) and all the variations in between. A simple color wheel is shown below. The location of a color around the wheel obviously defines the ‘hue’ of the color.
Lightness (brightness or value)
Lightness is the vertical axis and runs from light at the top to dark at the bottom. The location of a color on the lightness scale defines how light or dark the color will be.
Saturation (chroma)
The saturation of a color is how far away from the light axis it is – colors which are far away from the value axis are pure colors and those close to the value axis tend to be grayer. Saturation defines how pure a color is. Various color measurement systems have been developed in order to locate the 3D space. The very first system was the Munsell system developed by American artist Albert Munsell and this is known as “the rational way”. They use indicators such as 7.5PBYR 6/6. This indicates a purble blue hue but closer to purple with lightness of value 6 , a saturation of 6. This is a pure visual eval system.
The next is the CIE (International Commission on Illumination) of the Yxy color space, the L*a*b* color by CIELAB and the Hunter Lab color space. In the L*a*b* system which is typically used by 3D Laminate manufacturers to color control colors it uses the following:
L* defines the lightness/darkness of the color.
a* defines the greenness/redness of the color.
b* defines the yellowness/blueness of the color.
The combination of L*, a* and b* can be used to define the relationship between colors and as a quality control tool by most laminate manufacturers.Please note that “E” is the average of L, a and b so it is common to have the E number listed as well.
Color measuring instruments
The two most common types of machines for the measurement of color are the tristimulus colorimeter and the spectrophotometer. The tristimulus colorimeter is a machine that directly measures the sample color and uses red, blue, and green receptors. This is simliar to the human eye.
The major disadvantage with this type of machine is that the results are only meaningful under the specific illuminant used for the machine. Different colorants respond to different lights in different ways (a phenomenon known as metamerism as mentioned earlier in this report)
The spectrophotometer measures light across the whole of the visible spectrum to produce the full reflectance curve that can be processed to give the tristimulus values and chromaticity for any desired illumination. The full reflectance curve for various colors can be investigated to determine if metamerism will be present under varying illuminants.
The use of spectrophotometers requires knowledge of the type of machine being used and the detailed geometry of the machine – the various types available can detect or exclude texture and gloss levels and even take into account special effect finishes such as mica or flake colorants.
Measurement problems Metamerism: Color perception of many colorants is often affected by metamerism. This is where colors that may appear the same under one set of lighting conditions will appear different under a different set of lighting conditions. Typically in our industry metamorism takes place between fluorescent light sources and natural sun light since most manufacturers using the 3D Laminates do not have an International Standard Light box on premises.
Temperature: Color is often ‘thermochromic’ and most colors will change with the temperature at which the measurement is made.
Humidity: Color is often ‘hydrochromic’ and most colors will change with the humidity at which the measurement is made.
Methods of Coloring Plastics 3D Laminates
Plastics are typically colored by the following methods of printing, painting, pigments, internal colorants, dyes and surface colorants. For pratical purposes please note that the color of a 3D Laminate solid color is in the base calendered film whereas in a printed woodgrain the color is adjusted by the printing primarily using 1 to 5 print cylinders. This process is known as gravure printing where the print rollers (rotate) dip into an ink pan and rotate while applying the ink to the print layer. Printing can be done by direct to a print layer or via reverse printing to a clear transparent print layer. The average amount of printing cylinders is 3 and each cylinder must turn in register to one another in order to give the print clarity. The second way to adjust the color is through the base layer which can affect the darkness or lightless behind the print layer.
Summary
I hope that after reading this post you have picked up something new in regards to color, perception, procedure or that you have a better feeling for how humans interact with color. In some small way I hope that this article can influence how you sell color or how you may be more careful of conveying color to your client. Try to be observant of your customer’s light source, to the size of the sample and pay specific attention to the texture of the surfaces. I know that for me I utilize the basics of color knowledge every day. I just hope my X Chromosome isn’t defective ! ;-)
Wednesday, October 6, 2010
Leather White Alligator
DACKOR introduced Leather White Alligator. Many said that they believed that this would be extremely modern however, as you can see from the picture below it works well in a Transitional environment. As you are aware, Transitional Style refers to Traditional or Classic style but with a Contemporary Twist. Transitional style works in the urban cities as well as the mid-west or the rural south.
Please note that in addition to looking good, Leather White Alligator incorporates Frosty White Melamine and edge-banding and therefore reducing the cost of the Closet manufacturer. In addition, its an easy way to refresh a showroom since these drawer fronts can be put on an existing display.
New Wemhoner Forum
Kitchen & Bath Retailers and 3D Laminate/Thermofoil Kitchens
We all aware that North America has deep roots with woodworking. With our past abundance of low cost wood and forestry, natural woods have been the driving force for KB Retailers in North America.
Since the 90s, most of the larger Kitchen & Bath manufacturers have had a large wood line up with only white thermofoil being their only laminate line. The reason most of these manufacturers were early adopters of white thermofoil was that it was superior to paint in many aspects. Firstly it was more uniform, easier to control the colors, more scratch resistant and less likely to show dirt. With the governmental agencies regulating the spraying of paint and releasing VOCs it also became much easier to use these thermofoil doors. But, for the most part, woodgrains were not added to most of the large producers line. Why? Profits….. Consumers simply were not willing to pay as much for the thermofoil woodgrains and who can blame them?
The market, however, has been changing dramatically. As I write this we are still in the midst of a deep recession that has been in for several years and the KB Retailer are also facing competition from importers of KD, RTA Cabinets. These lower cost wooden cabinets are being sold in flooring shops, distribution warehouses, by remodelers and so on. But what is most interesting is that the American consumer is slowly becoming more open to Euro style Cabinetry. There are multiple cultural reasons for this. The reasons i will list are:
1. POP CULTURE: Companies such as IKEA and APPLE are influencing pop culture.
2. AFFORDABILITY: Consumers are becoming tired of paying $30K for a Kitchen
3. PRODUCT LINE CREATION: KB Dealers can offer proprietary offerings more easily by working with American cabinet producers.
4. DESIGN TREND CHANGES: Design trends work in polar opposites.
POP CULTURE: Companies such as APPLE are influencing pop culture in very subtle ways. When you watch the commercials featuring MAC vs PC what you might believe is that MAC is advertising that there computer is superior to a PC however its not that simple. What APPLE is actually saying through their advertisements is that PCs are old, yesterday and for your geeky uncle and not for the modern world. Although is arguable, I would imply that such changes in society can also simultaneously change the tastes of that society. Through large scale social changes such as the preference of cars or computers it has been proven throughout marketing history to influence trends as a whole. I may write another article about this subject. The second part of the equation is IKEA. If you are in this industry you may have already spotted the IKEA Kitchen affect. Although its not destabilizing to the Kitchen industry, IKEA has and will continue to influence Euro style cabinetry in North America as they grow in this market.
AFFORDABILITY: The next reason that KB Retailers will continue to add 3D Laminate Cabinet Line collections is that they are more affordable. Throughout the 90s and early 00s we noticed that Kitchens became super expensive. If you think about spending $30K on cabinets and countertops retail it certainly makes one wonder. If you look at Entertainment Centers, end tables, dining tables, sofas and other furniture its clear that on average these items cost less than the average Kitchen Cabinet or countertop per weight, per square foot or however you might calculate. I don’t want to say that these Kitchens are not worth the money because this article is written for KB Retailers…. Rent is high, advertising and lets not forget that Kitchens require design and are essentially installed rather than set in a room. With 3D Laminate Kitchens, however, it enables a more cost affective Kitchen while enabling the KB Retailer to maintain adequate profit margins.
PRODUCT LINE CREATION: If we compare an American made 3D Laminate Kitchen to an imported Wooden Kitchen I would suggest that its more possible to create a proprietary line with the 3D Laminate. With the Wooden Kitchen Cabinets they seem to be more easily copied. We’ve all seen chocolate glazed maple cabinets and if you’ve been to one showroom you may feel that you’ve been to them all. With the print and emboss affect of 3D Laminates its very possible to create interesting Kitchens that are not seen at the showroom next door.
DESIGN TREND CHANGES: The next subject is a very popular one for me. I often speak about this theory. I do plan to write a book about this subject some day…. Its about style predictions in color and design. Its my theory that one can predict the future trends of color, fashion, music or design (loosely) by taking the antithesis of today’s current trend. So my theory is that since faceframed, wooden and antiqued or glazed cabinets have been en vogue that the exact opposite will now come into affect. How do I come up with that assumption? OK…. lets look at the music industry….
Lets start with my one of my favorite generations of music and that is the 70s and work all the way through to today.
1970s ROCK: American Classic Rock: Think Led Zepplin; macho
1970s POP: Disco. Started as antithesis of Rock and some speculate that it killed Classic Rock.
1980s ROCK: Glamour Rock “Hairbands”. Think Motley Crue. Antithesis of macho hence they wore makeup.
1980s POP: British Invasion: Also Antithesis of “American Rock” because completely imported. Think Duran Duran
1990s GRUNGE: Think Nirvana. What is the opposite of “Glamour”? Grunge of course.
2000s RAP: What is the opposite of “Grunge” Bling and Excess of course.
2010s Yet to identify but by 2015 I predict we’ll have seen music go the Antithesis of Excess or Bling. We can already see the “Green Movement”
So if you look at the past 30 years its clear that we have close to a 10 year run of music followed by an underground sound that gives birth to the exact Antithesis of that music genre.
All of this is to say that before Glazed Face Framed Wooden Cabinets were the biggest trend and next we should expect more clean, straight lined woodgrains to become the norm. Actually we can already start seeing that change.
SUMMARY: In future articles I would like to expand some of these points out more but the purpose of this article is to say that “YES, 3D Laminate Kitchens should be considered by KB Retailers.” If you are a KB Retailer and would like to call or email me to discuss I would be glad to do so.
Friday, October 1, 2010
LEED Points for 3D Laminates
No Added Urea-formaldehyde Resins in MDF & Particleboard: 1 point
Final product (i.e. finished kitchen) manufactured within 500 miles of the jobsite: 1 point
Low Emitting Materials Adhesives and Sealants: 1 point
Tuesday, August 17, 2010
Self Cleaning ovens affect on Thermofoil Doors
Occasionally I receive questions about Self Cleaning ovens and their affect on thermofoil doors. This article is specifically focused on the heat affect in a thermofoil kitchen.
If you are reading this article then I assume that you either have had an experience or that you are concerned about the affect of heat as it relates to thermofoil. I hope that this article will give you more information so that you can then use that information to feel more confident about thermofoil in the Kitchen.
The nature of thermofoil is that is a product that is meant to stretch when it exposed to heat. When thermofoil doors are made they are typically done so at 224F/117C on average. Thermofoils are a thermosetting product so they have memory. In a laboratory setting they can reheat the material and typically find at what termperature that the doors were formed under.
There are two types of water based adhesives used: 1 part and 2 part. 1 part adhesives have the catalysts mixed in whereas the 2 part catalyst needs to be added. In my tests the 1 part ahesives are typically good from 150F to 175 before failure occurs whereas the 2 part adhesive typically ranges from 190 to over 200F.
In a Kitchen there are key places where temperatures can go above 150F. The places are near dish washers, self cleaning ovens and in cases where rice cookers or other steam producing appliances.
For the best care and maintenance rice cookers and steaming appliances should be pulled away from under the cabinet doors. Around dish washers and ovens it is advised to use spacers/fillers or heat shields. Heat shields are 1 9/16" wide by 30" in length. They are essentially cold rolled steel and come in while almond, and powder coated black.
For cabinet companies and Kitchen dealers, you should advise your customers to open drawers or doors so that they are a safe distance away from an oven while self cleaning. In the case where a door hinges towards the oven the door should be removed while self cleaning. Please see the following video: Related Video on You Tube
As you have read the above you may have concerns however I would like to make the point that all materials can have issues. I've seen edgebanding lifting up, wooden doors cracking or fading and veneer doors wrinkling. In my house I have wooden cabinets with the wooden varnish coming off but all of my thermofoil cabinets are still in perfect condition.
My point is not that thermofoil is superior but that every product has a weakness. With proper education and information it is possible to enjoy your thermofoil Kitchen with absolutely no issues as long it is made by a quality manufacturer. I have a popular saying that goes "Discontent is the child of unmet Expectations". This basically means that customers become unhappy when their expectations are not met with what they expected. A well informed customer is a happy customer in most situations.
If a cabinet door does have issues near a self cleaning oven one advantage is that it can be replaced more affordably than wood and the color will match better than many other product segments.
I hope that you have found this article to be helpful. Please feel free to leave comments, tips, trick or additional information.